Tag Archives: poetry

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The Lives We Live as Leaves

still-standing

I have told this story many times, but I’m “feeling it” today.

 
One of my greatest life lessons came from a man named Mike Sullivan with whom I worked when I lived in Rhode Island. We worked for a boss that always expected you to cover his ass and make sure his work day would go smoothly. But that boss would always hang me and Mike out to dry and force us to fend for ourselves. The two of us often talked about how good a working relationship we had while in that environment.

One day, Mike said to me, “All we ever have is each other.” I asked him if he meant the two of us, looking out for each other while dealing with our shithead boss, or if he meant something larger, something greater–a bond connecting person to person on this mixed-up world.

He said, “Both.”

Those words will always resonate with me, and I hope to help them resonate with others I encounter, especially in times like the ones we face. The state of the one world we have, socially, politically, environmentally, and so on, is growing more and more precarious every day. We need to wise up, we need to care, and to support, and to love more. We need to build, to truly create lasting and meaningful connections with ourselves, our fellow beings, and our only source of life.  We must, before it’s too late.  Everything is connected.  We are all connected.

“All we ever have is each other.”

 

The Tree

The Tree of Life links everything,
And all the souls its branches spring,
Connected by such fibrous thread,
Swell by what each limb’s been fed.

The Tree of Life, it branches wide,
Connections growing at each side,
And when one sees the common boughs,
It’s limitless what growth allows.

The Tree of Life has many leaves;
Sometimes one falls, and someone grieves,
And though there will be growth again,
A gloom remains within the glen.

So many fruits sprout on this tree,
And some fulfill prosperity,
While others come to waste and rot,
And their branch ends in pitted knot.

So each bloom needs to see the ties
That bond each bud and to realize
That all we’ll have is other leaves
As every Life branch interweaves.

And as my own now ages on,
The truths that I have come upon
Have made me praise the leaves I see
Have helped me grow my own life’s tree.

© Jordan Alan Fox

 

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I Am. I Can. I Shall.

images (1)A friend of mine recently introduced me to a weekly Buddhist meditation group.  The attendees get together, and we have two silent twenty-minute sitting meditation sessions with a ten-minute walking meditation between them.  After the second sitting meditation, we recite some Buddhist philosophies and have an open discussion.

Meditation isn’t something that is natural to me.  I’m a high-strung, hot-headed, anxiety-carrying, self-doubting dude.  My brain never stops obsessing over minutiae of all the things in my life, over possible outcomes of different scenarios, over money and bills, over the wrongs of the world, over all the things I need to do.  I also constantly berate myself inwardly for not living up to the high standards, especially moral ones, that I have placed for myself.  Attempting to be “quiet” inside is a challenge.

I’ve been told that you can’t control having thoughts during meditation, but that when you catch yourself thinking about something in particular, you acknowledge to yourself that you had the thought, but not entertain that thought.  You must let it go.  It has been described to me as watching a train come to a stop in front of you.  You know it’s there, but you don’t have to board. 

Last Sunday night, one such thought came to me during the first meditation session.  The thought was six simple words:  “I am.  I can.  I shall.”  While I was supposed to be thinking of nothing, I was writing this blog post in my head.  But I will gladly accept inspiration whenever and wherever it comes, so I don’t mind having boarded this train. 

As I mentioned above, I’m an individual plagued by serious self-doubt, and self-affirming statements are an uncommon occurrence.  But there it was.  I am.  I can.  I shall. 

I wrote a poem in 2009, which was a bit of wishful thinking in rhyming form, and even as I was writing it, I wondered whether it was something I could actually enact myself, actually make real.

                              At Peace  

                   Peace from all the voices,

                   Peace from crushing noise,

                   Peace from inner rumbling

                   That mania employs- 

                   I seek way through the river,

                   I’ve turbulence inside.

                   I yield too much to chaos;

                   Within, my thoughts collide.

                   I pray to God and Buddha,

                   To divinities that may be,

                   To help me find the hidden path

                   To a peaceful reverie,

                   To be placid as still water,

                   To rest when things seem grim,

                   To endure as does the oak

                   Despite the weather’s whim.

                   As a rock amidst the rapids,

                   Though buffeted, still prevailing;

                   It’s time I learned to simply live

                   With all that Life’s entailing.

                   Too long at war inside my mind

                   (Often war begets no peace),

                    I become as stone and waters pass

                    ‘Til the voices simply cease….

Lines from this poem also ran through my head while meditating. 

There was a time after my separation from my wife when I would constantly wallow in depression, and I would try to pull myself out of it by repeating the word “endure” to myself.  It was like a lifeline that I threw to myself.  I’m not in the state I was at that period of my life anymore.  So perhaps it’s time I had a new mantra, not one to help me simply survive, but one to help me grow.

Will I ever find a greater level of inner peace, be in a better mental place with reduced anxiety and fear and greater self-assurance?  Will I be the better person I strive to be?

I suppose my meditating mind already answered that.

I am.  I can.  I shall.

images (2)

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My Writing….

I’ve been encouraged to share more of my writing, and even to get published.  I don’t know about the publishing thing, especially because of cost and the fact that in order to sell books as a poet, one needs to be 1. Maya Angelou, 2. Nikki Giovanni, or 3. Deceased.  But I thought I’d share something I wrote that’s very personal, and I consider it one of the most important things I’ve ever done.  The story is true.

 

 

 

This Was Not                                                      10/29/09

 

 

Standing at the work table,

I’m off drifting in my brain.

My body knows what it’s doing,

And the mind has its own way

Of passing time.

I remember many things

While standing at my table.

My hands have done these tasks for years,

So the memories flow unbidden

Into the waiting silence.

 

I remember buying you cheap toys

For your eighth birthday,

Your first back in Jersey.

It was all we could afford

After eight months of medical bills

And your mother out of work.

One broke that very evening,

And I was so scared you’d be upset.

It didn’t seem to faze you,

But I’d wanted so much more

For you

After the SHIT

That had become of that year.

 

This was not the childhood you were supposed to have.

 

I leave my table, the work abandoned,

As I need to dry my eyes.

But my synapses decide

Upon my return

That they’re not done just yet.

 

I remember being asked

In one of the Fairmount family groups,

What my biggest fear for you was.

You hadn’t been HOME,

Residing in centers

For traumatized children

For most of the year.

This was where you’d spend

Your NEXT birthday.

My answer was that all this

Would still be going on

And you’d lose the last years

Of the closing window

Of your childhood

Without getting to have

A normal one.

 

I remember helping you move

From there to your third center,

And eventually to your fourth,

All within two years.

It was at the fourth one

Where you’d turn

The ripe old age

Of ten.

 

This was not the childhood you were supposed to have.

 

I remember the times before this,

When you told us

Things,

Things your biological father did to you.

We decided that

When you came off the school bus

You would be given dinner,

And some things would be packed

For you and your mother.

I’d stay behind to pack our things

And arrange for the movers.

I watched

As you were driven back to Jersey that night

In a February New England blizzard

To save you from your father.

 

This was not the childhood you were supposed to have.

 

I remember when

We had just reunited

After the midnight run out of Rhode Island.

You were uncontrollably

Acting out, as we now know

Abuse victims will do,

Because of what your father did to you.

The  daily and nightly rages,

Triggered by flashbacks,

Would eventually require

Restraining you

Because of the harm

You’d cause

To yourself,

And to others.

This became

Your daily experience,

And it was a miracle

When you were actually able

To make it to school.

 

This was not the childhood you were supposed to have.

 

I walk away from my table yet again,

Knowing someone will see me

Soon enough.

I tell myself,

“Endure!”,

Wanting desperately to hold it together.

 

But then I remember

Your mother and I

Reviewing the options given

By the prescribing therapist.

You needed help with the feelings

And the images

In your seven-year-old head.

THIS drug may cause

Kidney failure

After six months of use.

THIS drug may cause

Seizures,

Or other loss

Of motor function.

 

You have had your

Blood polluted,

Your chemistry FUCKED with,

Because you were worse off

Without these poisons

Meant to help you heal.

 

This was not the childhood you were supposed to have.

 

You will soon turn eleven,

And you’re still not home.

You are still not able

To handle the rage,

The flashbacks of your father,

All of the emotional damage,

And I know that window,

That precious window

Of time

Called your formative years

Is gone;

What I feared for you

Has happened,

And I can only cry

At my work table.

 

This was not the childhood you were supposed to have.

 

©2012 Jordan Fox

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“Turn Up Light and Sound”

I saw the band Rush on Friday, October 12th.  Rush is a band I’ve loved since 1989, and they’ve been a musical and lyrical inspiration since then.  In fact, I credit them with expanding my own lyrical skill in the first place.    Musically, Rush has always been a creator of challenging and interesting material, and have influenced and inspired uncountable amounts of musicians over their 38-year recording career.  Geddy Lee is still my all-time favorite bass player, Neil Peart is one of the most widely recognized monarchs of the drum kit as well as of lyrics, and Alex Lifeson is an unbelievable guitar player, capable of very emotional and technical solos, and able to play an incredible array of styles.

A picture on my wall of Geddy Lee. It was taken by the band’s late longtime photographer, Andrew MacNaughtan.

I only saw them once, in 1990 or ’91, and  I sat way up in the 3rd level.  As a result, I didn’t feel like I was even there.  I was also very young, had the attention span of a gnat, and wasn’t mentally able to take it all in.  I wanted to see them last year, on their  tour celebrating the 30th anniversary of their signature album, Moving Pictures.  Veterinary bills kept me from being able to attend, and there was no way I was missing this one in support of their newest album.  It was absolutely amazing.

Detractors of the band have consistently pinpointed one reason for not liking Rush, and that’s Geddy’s voice. He’s known for singing in a very high register, and it was especially stratospheric in the earlier part of their career.  His voice can’t quite do the highs as much anymore, and it’s reflected on the last 2 albums in the lower range he chooses.  I’m curious as to how much that effects their decision when choosing which songs to perform.  One thing to consider when analyzing his performance is that he sings while playing some incredibly complex bass lines, as well as the synthesizer parts.  He’s practically a band unto himself.

The show definitely focused on the latter-half of their career, with the exception of classics that would be murderous of them not to include, such as their hugest commercial success, Tom Sawyer.  And Geddy’s voice held up better than I expected.

Rush, as a group, have a very jovial way about them, and this always translates onto their tours, despite the seriousness of their album content.  They always do slapstick films on the rear projection screen, have roadies run on stage in bizarre outfits, and have done things over the last few tours such as having washing machines on stage out of which roadies take t-shirts to throw into the audience and having a chicken rotisserie which roadies come out to baste while wearing chef’s hats and aprons.

While I was intent on taking the show in and not missing anything (who knows how many more tours there’ll be), some of the glow still disperses as daily life overtakes the memories.  Thanks to the magic of youtube, however, there’s an entire catalogue of performances recorded on cell phones (with surprising quality), including the show I saw in Philadelphia.  Getting to rekindle the magic is priceless.

As for the album they’re supporting on this tour:  Rush, in the past, has done numerous long songs (entire sides of albums, sometimes) with a story being told via the lyrics.  The latest offering, Clockwork Angels, is a full concept album, and it’s also surprisingly heavy musically.  One treat that they did this time was work with author Kevin J. Anderson to produce the story as a novel as well.  The novel helps to make more sense of the album since Anderson had 300 pages to work with as opposed to 12 songs.

In the book, Anderson (who has been friends with Peart for many years) drops lines from Rush songs and other references that long-time fans will understand throughout the text.  Inspired by this, as well as the experience of the concert, I wrote a poem which uses song titles in the same way.  I also chose a really obscure rhyme scheme.  Instead of using couplets or rhyming every other line , I waited 3 lines after the initial one to rhyme.  I did this to honor the 3 members of the band.

Turn Up Light and Sound (What a Rush) 10/14/12

A 22-year devotion,

To see these 3 on lighted stage—

The aural assault, the lighting’s dance–

An evening charged with emotion!

And as these stars advance in age,

There may not be another chance,

So I ponied up what entry cost.

It didn’t matter, to make this night;

I’d work out paying bills somehow.

I couldn’t bear this opportunity lost,

To miss them in latest limelight—

Circumstances I couldn’t allow.

Stage hands scrambled all about;

I sensed the countdown impending.

They made their final preparations

Before the band could come out

To amaze all who were attending,

And feeding all our anticipations.

Like a body electric, the stage came alight;

We watched the big screen animate.

You bet your life I had to be there,

Hear those mystic rhythms that night,

An evening to leave our mortal state

And revel in a show beyond compare.

And hours later, to have been exposed

To a musicianship, a stagecraft

Lovingly honed for 4+ decades,

To some of the greatest rock composed,

A spectacle upon which we can graft,

And a euphoria that meets the accolades.

Nothing lacked in their chemistry,

Other bands seen a far cry from this.

I wished for a time stand still, to perceive,

Savor, prolong the sweet miracle before me,

For vapor trails become of this bliss.

I pray the afterimage will never leave.

 

© 2012 Jordan Alan Fox

Rush – YYZ Live 10/1212 Philadelphia PA Wells Fargo Complete Killer Multicam HD Show 2012www.youtube.comAwesome show. as always with this amazing band.this is one camera angle out of 4 that will be an amazing mix. if intrested inthe complete show email me at ba…

“The Anarchist” Rush@Wells Fargo Center Philadelphia 10/12/12 Clockwork Angels Tourwww.youtube.comThe Anarchist, Rush, Wells Fargo Center, Philadelphia, PA; October 12th, 2012; Clockwork Angels Tour

Rush – Tom Sawyer – Philadelphia 10/12/12www.youtube.comWells Fargo Center, Philadelphia, PA, October 12, 2012. Entire show filmed (stage shot), partial show (screen).

RUSH – “Headlong Flight” – Official Lyric Videowww.youtube.comThe official lyric video for “Headlong Flight” – the first single from the new album Clockwork Angels – available everywhere June 12th. Pre-order here: http:…

RUSH – “The Wreckers” Official Lyric Videowww.youtube.comThe official lyric video for “The Wreckers” – the new single from the album Clockwork Angels

Subdivisions – Rushwww.youtube.com”Subdivisions” is a Rush song often considered to be describing feelings of isolation, boredom, conformity, and sadness springing up from teenage life in the…

clockwork-angels-hardcover-book.html

Clockwork Angels

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And thus the Beat(ing) Goes On….

Okay, so last time I mentioned my friend Marie’s suggestion that I throw my animal advocacy poems in here.  So why not?  As I come up with them, I shall do so.

On a different topic (slightly), there have always been pages and photos that I and other advocates (of varying causes) have reported to FaceCrook to be removed.  Such includes a page called Adalia Must Die, which targets a young girl who appears to have terminal cancer.  Targeting those with illness or disability and harmful or hateful speech are both reportable infractions.  We’ve also reported pics of people holding up bloody wolf pelts (violence or graphic content), pics of people appearing to strangle puppies by holding them off the ground with hands around the throat (violence, harmful behavior), and pics of cats with guns shoved in their mouth or pointed at their heads (ditto).  FaceCrook inevitably sends an email that the pages and photos reported have not been taken down due to “lack of evidence”.  Hmmm.

This takes me to Monday.  I was at work, and it occurred to me that I should create a page with the title “Michael Vick should be shot, electrocuted, hung, and beaten”.  Surely this won’t be a violation of FaceCrook conduct policies if those other items weren’t.  And these are the exact things Michael Vick did to dogs.  He shot them, drowned them, etc., and admitted his joy in doing so.

In an interview after being released from prison, reinstated in the NFL, and signed by the Eagles, Vick was asked if he had any regrets or anything he would change in his life.  His initial response was “No.”  The interviewer asked, incredulously, if he was sure he wouldn’t change ANYTHING.  ANYTHING AT ALL.  Vick’s response was that perhaps he’d like less jail time than he was given.  For the record, he spent 18 months in jail for illegal gambling.  Those that like to tell me “he served his time” are errant in that he served the above sentence and NOT ONE SECOND for animal abuse or cruelty.  None.

So perhaps he needs a little karma to come his way.  And karma is a….female dog.

I did indeed create my page, and I’m already near 50 followers.  It consists of a lot of the same things that I do on my regular advocacy page (petitions and animal rights issues), but the focus is on dog fighting, Breed Specific Legislation (the boycott of specific breeds such as Pit Bulls in certain cities, airlines, and other places), and promoting better awareness.  Many folks out there have made pictures of Vick with different humorous phrases on them, and those absolutely go in there when I find them.  My page link is:  Boycott Vick for the Voiceless Ones.  Now let’s go full circle to my first paragraph about poems.  I wrote 2 for my page, and here they are.  The second one references a certain STD Vick is known to have.  They were meant to be silly (that’s the story I’m sticking to).

Fried Green Infrahumanos 8/27/12

I hate Michael Vick;
He should be fried like frittata,
And then hung,
Beaten like a piñata!

An Ode to Vick, et. al.  8/28/12

Working to save animals is cooler than Slurpees;

I hate all abusers (especially ones with herpes).

I’d like to see karma hit them all like a rocket;

Let’s set off fireworks in each’s front pocket.

That’ll keep each one from attempting any breeding;

They’ll get what’s deserved with their crotches burned and bleeding.

The monsters they are would be displayed by their new features,

And perhaps they’ll no longer assault defenseless creatures.

They went over well with the activists, at least!

I’ll end with a plug for the book The Lost Dogs by Jim Gorant.  This book is written from the accounts of the police officer and FBI officer who ran the bust on Vick’s compound, the animal forensics expert on the case, and the people that rescued the still living dogs.  If you don’t understand why we activists won’t let it go, won’t forgive or forget, it is all in the book, the whole ugly truth.

Amazon.com: The Lost Dogs: Michael Vick’s Dogs and Their …

Disclaimer:  I’m not actually saying anyone should go and confront Vick and mete out their own justice.  This is stated in fun and as a way to vent the disgust over Vick’s actions.


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Open Mic Night

I did my second official public poetry reading 2 days ago.  It was through one of my writers’ groups.  It was at a coffee house, so anyone could have been there.

That’s why I was psyched to do it.  I would have had my other writer friends for support, including my best friend, but my work would get exposure to unbiased strangers.  Make that “SHOULD have gotten exposure”.  It was pretty much just the writers that showed, so I don’t know if it counts.  There was no unbiased audience, but I WAS willing to do it if there was.

I got a great reaction regardless, even on the pieces I chose that I was less certain would go over.  Yay, me!

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Oration Adulation

On Friday, Feb. 17th, I did my first public reading as a poet.  I had read my work to friends and to each of my writers’ groups, but never truly before an unknown audience.  It was a really cool experience (mainly because it was so well received!).

One of the women in one of  these groups asked me if I’d ever done love poems, because she wanted to set up a performance of he said/she said tales of Valentine’s Days past.  It would have a male and female poet (the two of us) reading original poems written about several stages of relationships.  The stages were, in order: Meeting/Games, Lust, Love, When Problems Start, When It’s Over, Regret, and a Finale which would be about still having some hope for the future (she didn’t want to end it on a downer).  We were to read at a bakery with which she was acquainted, Apron Strings Bakery in Millville, NJ.

I fortunately had at least two poems that fit each category, and our two sets of poems overall actually meshed very well.  The audience turned out to be only six people, but they really loved our work, and that’s always a great feeling.  What was especially awesome was having them say how refreshing it was to hear a male perspective on these topics that actually showed emotions and deep thoughts that they weren’t accustomed to being privy to.  This, I believe, was the point to the whole reading.  It was even called “He Said/She Said”.

I originally had accepted my friend’s invitation to being the “male voice” as a favor, but it turned out to be a very rewarding event.  I’ve been thinking lately about trying to get an anthology published, something to which I’d never given any serious thought before.  After the positive reactions I’ve gotten from both writers’ groups on my work and now from a true objective audience, I’m wondering if it’s time to pursue it.

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The Written Word and Words Yet Written

In one of my writers’ groups, our main focus is writing exercises, wherein a “prompt” is given, and we would then take 20-40 minutes to write something based on the prompt.  You don’t HAVE to write on the prompt; you can take just part of the prompt, or do your own thing entirely.  This isn’t a strict environment; it’s a way to spark the creativity and get people to actually write even if it’s something they won’t use later.  We have a 30 minute or so period at the end in which we share what we’ve written, if desired.

An example of prompts we’ve been given in the past are: “satisfaction”, “superstition”, “Her laughter broke the silence….”, and “How to make a dragon”.  The last one had a specific scenario about a scientist doing all of this DNA stuff to create his/her own dragon.  I don’t really write stories, so I used the dragon as a metaphor in a set of lyrics I created.

And that’s what I want to focus on here today.  No, not dragons or metaphors based on them.  It’s the fact that you can give a prompt to 15 different people and get 15 different creations.  It’s amazing.  What makes imagination and creativity work?  And what makes it work differently in each individual?  It’s miraculous.

There are the “mainstay” members that are there almost all the time, people that sporadically show, and others that come once or twice and never again.  But everyone that’s come even once and shared what they’ve written has conjured something no one else has.  Every one of our “core” group that shows up definitely has their niche style.  One guy writes fictitious slapstick humor that’s so over the top that, if made into a movie, only Jim Carey could play it.  One guy has a sci-fi/horror bent with a twist of sexual thriller.  One likes her romance, and another likes her lust and violence in equal measure.  Those are just some examples.  But they can all change it up on you.  The Jim Carey guy, for example, every so often will break out something that’s surprisingly tender and genuine.  Frankly, I’m in awe of his skill.  The lust and violence writer will write a very personal poem every once in awhile.

My own contributions, as I wrote in a post that seems very long ago at this point, are poems and lyrics.  I really don’t deviate from this; it’s what I do.  There are an incredible amount of pieces I wouldn’t have written if not for the prompts, and many concepts that the prompts inspired simply would never have come to my mind otherwise.  I owe the group a great amount for that.

The other writers’ group I’m in focuses on more technical aspects, such as scene structure, character development, finding an agent, making sure your manuscript is ready for submission, etc.  As I said, I’m not a story writer, but I like to go to those meetings for the camaraderie, and who knows?  I may write a story some day.  This group had a meetup last weekend, which was the character development session.  I’m a bit blown away by how much work it is to do prose.  I’m overwhelmed at the moment.  I’m not giving up on it, but it’s eye-opening to see how much research and groundwork must be done.  Quite the opposite of what I usually do, which is very emotion-fueled.  I write my lyrics which (hopefully) get a reaction from the reader/listener.  I write as a reaction to something I’ve lived or seen, and I do most pieces in a single sitting.  I’ll create most of my prompt-based work in the 20-40 minutes given, and a lot of the time my first draft is my final draft.  Or, at the least, very few revisions are ever done. It suits my attention span to write what I write!

I have a new respect for the “story tellers” now.  Not that I didn’t respect them before, but now I see what they have to go through to create what they do, if they’re going to do it convincingly.  Power to them.  I still could jump into that realm, and it would be a good personal challenge, but I think I know where my bread is buttered.  My lyrics.  It’s where my true talent lies, and I actually NEED to do it.  It’s how I process my world, and how I purge my demons.

Everyone in these groups has their own style and preferred genre, and I’ve got mine, it seems.  Creativity is an incredible, inconceivable thing, and what’s more incredible is how everyone has their own voice.

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Poetry

One of my writers’ groups had a discussion on poetry last night.  This being my field of creativity, I, of course, HAD to go.  It was a very lively discussion, too.  A lot of the people there said that they used to write poetry, but haven’t in a very long time for various reasons.  One person, if I’m remembering this correctly, thanked me for continuing to do so.  What I remember clearly was my reply: “I didn’t have a choice!”

This is quite true.  My first poem that wasn’t forced out of me by a teacher was written when I was 14.  “Dreamdeath” was the title.  I had a view of poems as being girly, or pansy-ish, or whatever, and was as such not given to thinking that this was something I would want to do.  At least not consciously.  I couldn’t say why I wrote that first poem that day except that I was COMPELLED to do it.  I still have the fear when I tell someone I write poetry that they’ll apply the stigmas I believed were there when I was 14.  I’ll tell people I’m a lyricist, which is true since I do write musical accompaniment to a lot of my pieces, but I think it sounds a little more macho maybe to say lyricist instead of poet.

Regardless of the name one uses for what I do, by 16 or 17, I was churning out poems/lyrics.  I did intend them to be used in songs even then, having bought my first bass guitar and amplifier at 16 and figuring I was going to be in the next Motley Crue (he admitted embarrassingly).

My favorite bass player now, Geddy Lee from the band Rush, once said in an interview that to become a better musician, you had to play with musicians better than yourself.  It will force you to elevate your skills to their level.  I think the same thing works for writing, or it did with me, at least.  I started out writing lyrics (very sadly) similar to those of the music I listened to.  It was shit.

I eventually got into bands like Rush, Queensryche, Iron Maiden, Sting, and others which have actual, real-live intelligence put into the words.  By elevating my lyricists of choice, my own skills elevated.  I got pretty good, if I can say so, but then I read something new:  John Keats.  Kaboom.  I progressed by lightyears over where I’d been.  I didn’t even read that much of Keats in the grand scheme of things, but it changed what I did.  Perhaps it was the phrasing, some use of alliteration, I don’t know.  I’m just glad it took hold.

Many, many years later, I still need to do this, my writing.  In fact, I think I write my songs so that my words will have a vehicle, rather than writing words because songs need lyrics.  I have demons to exorcize, and this is how I do it.  I can’t imagine what and where I’d be without this outlet.

I have gotten so much positive feedback from those with whom I’ve shared my writing, which is almost as rewarding as having created the work in the first place.  I have heard artists of all types refer to their creations as being like their children, and that they had to “birth” each one.  I agree with that.  I do see them as like my children, and I’m proud of them.  You want them all to be successful in their own right, but of course this just isn’t possible.  You still want the best for them, though, and want them to be regarded well.

Regardless of whether or not this makes any sense to you and equally regardless of whether you choose to call what I do lyrics or poems or simply WRITING, it’s something I still HAVE to do.  It’s almost as important to my existence as blood, air, and physical sustenance.